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Location: Petaluma, California
Ships to: US,
Item: 326323115486

Restocking Fee:No
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All returns accepted:Returns Accepted
Item must be returned within:14 Days
Refund will be given as:Money Back
Industry:Music
Artist/Band:Grateful Dead
Size:13″ x 19″
Original/Reproduction:Original
Genre:Rock & Pop
Country/Region of Manufacture:United States

Offered for sale is a set of vintage Phil Lesh & Friends Concert Posters from his 2000 / 2001 Spring Tours (East Coast venues), featuring colorfully painted graphics by noted poster illustrator Pat Ryan (one poster inscribed / signed by Artist), and are scarce find collector’s items due to their small print run editions (see bio info below). The posters measure 19″ x 13″, are in “FINE” condition (see details above), and are suitable for display in a permanent archive. The asking price is $99.99 + FREE Shipping / Handling ($24.95 Value; US Domestic only), and are the only set of it’s kind offered for sale online! Overseas buyers please refer below for shipping instructions, and feel free to contact me with further questions. BIO INFO: Philip Chapman Lesh (March 15, 1940 – October 25, 2024) was an American musician and a founding member of the Grateful Dead, with whom he played bass guitar throughout their 30-year career.After the band’s disbanding in 1995, Lesh continued the tradition of Grateful Dead family music with side project Phil Lesh and Friends, which paid homage to the Dead’s music by playing their repertoire, as well as songs of the members of his own group. Lesh operated a music venue called Terrapin Crossroads. From 2009 to 2014, he performed in Furthur alongside former Grateful Dead bandmate Bob Weir. He scaled back touring in 2014 but continued to perform concerts.Background[edit]Lesh was born in Berkeley, California, on March 15, 1940,[1] and started out as a violin player. While enrolled at Berkeley High School he switched to trumpet and participated in the school’s music-related extracurricular activities.[2] Studying the instrument under Bob Hansen, conductor of the symphonic Golden Gate Park Band, he became interested in avant-garde classical music and free jazz. [3]Shortly thereafter, he enrolled at the College of San Mateo, where he wrote arrangements for the community college’s big band and played trumpet.[4] After transfering with sophomore standing to the University of California, Berkeley in 1961, he befriended future Grateful Dead keyboardist Tom Constanten.[5] At the behest of Constanten, he studied under the Italian modernist Luciano Berio in a graduate-level course at Mills College in the spring of 1962; their classmates included Steve Reich and Stanford University cross-registrant John Chowning.[6]While volunteering for KPFA as a recording engineer during this period, he met bluegrass banjo player Jerry Garcia and invited him to perform on the station’s Midnight Special show.[7] Despite seemingly opposite musical interests, they soon formed a friendship. Lesh briefly worked in the Post Office Department, where he drove a service truck. In spring 1965, he saw Garcia’s new band, the Warlocks, in concert, and was impressed. A few weeks later, he was invited by Garcia to become the group’s bassist.[8] This was an unexpected turn of events as Lesh had never before played the instrument.[9] According to Lesh, the first song he rehearsed with the band was “I Know You Rider”.[6] He joined them for their third or fourth gig (memories vary) and stayed until the end.[citation needed]Since Lesh had never played bass, it meant that to a great extent he learned “on the job” yet it also meant he had no preconceived attitudes about the instrument’s traditional rhythm section role. In his autobiography, he credited Jack Casady (who was playing with Jefferson Airplane) as a confirming influence on the direction to which his instincts were leading him.[6] Lesh said that his playing style was influenced more by Bach’s counterpoint than by contemporaneous rock and soul bass players.[10] He also cited Jack Bruce of Cream as an influence.[11]Music[edit]Lesh was an innovator in the new role that the electric bass developed during the mid-1960s.[12] Contemporaries such as Casady, Bruce, James Jamerson, and Paul McCartney adopted a more melodic, contrapuntal approach to the instrument; before this, bass players in rock had generally played a conventional timekeeping role within the beat of the song, and within (or underpinning) the song’s harmonic or chord structure. While not abandoning these aspects, Lesh took his own improvised excursions during a song or instrumental. This was a characteristic aspect of the so-called San Francisco Sound in the new rock music.[13] In the group’s live performances, Lesh’s bass complemented Garcia’s guitar solos.[12]Early on, Lesh apprehended the sonic possibilities presented by recording in the studio, and his actions often led to complaints by the band’s record label. Joe Smith of Warner Bros. wrote a letter bemoaning cost overruns accumulated during studio sessions for their second album, Anthem of the Sun (1968). According to music critic Stephen Thomas Erlewine, Smith singled him out as “the catalyst for chaos within the band”, writing: “It’s apparent that nobody in your organization has enough influence over Phil Lesh to evoke anything resembling normal behavior.”[14] Lesh was not a prolific composer or singer with the Grateful Dead, though he did occasionally make contributions such as the opening track on American Beauty, “Box of Rain”. His high tenor voice contributed to the Grateful Dead’s three-part harmony sections in their group vocals in the early days of the band, until he largely relinquished singing high parts to Donna Godchaux (and subsequently Brent Mydland and Vince Welnick) in 1974 due to vocal cord damage from improper singing technique.[15] In the early 80s, he resumed singing lead vocals on songs closer to his natural vocal range.[15]It was Lesh who introduced his bandmates to the aural explorations of the jazz saxophonist John Coltrane. Because all of the band’s shows were recorded by Deadhead tapers, it is possible to listen to any given performance from 1972 or 1974 and hear the Grateful Dead interpret the musical innovations stimulated by Lesh through the influence of Coltrane.[14] Throughout the Dead’s career, his interest in jazz avant-garde music remained a crucial influence on the group. He later introduced the band to composer Charles Ives, which led to their ability to go spontaneously from a discordant jam into a blues or country song.[12]Lesh had input with Owsley “Bear” Stanley, the Dead’s onetime sound engineer and their former source of LSD, in designing the Wall of Sound, an enormous sound reinforcement system they used for forty-odd shows in the 1974 tour.[14] After two years of problem-solving and planning, the forty-foot high Wall of Sound was first used publicly at the Cow Palace in San Francisco on March 23, 1974. With nine independent channels, the powerful system contained 604 speakers using 26,400 watts of power. Lesh compared playing through the system to “piloting a flying saucer. Or riding your own sound wave”.[16] According to Lesh, Owsley persuaded the Dead to record every one of their shows, emphasizing the necessity of listening to the tapes.[17]In 1994, he was inducted into The Rock and Roll Hall of Fame as a member of the Grateful Dead.[18]Post-Grateful Dead[edit]After the disbanding of the Grateful Dead, Lesh continued to play with its offshoots The Other Ones and The Dead, as well as performing with his own band, Phil Lesh and Friends.[19] In 1999 and 2000, he co-headlined two tours with Bob Dylan.[20]Lesh published his autobiography, Searching for the Sound: My Life with the Grateful Dead in 2005.[21]In 2009, Lesh went back on tour with the remaining members of the Grateful Dead. Following the 2009 summer tour Lesh proceeded to found a new band with Bob Weir named Furthur, which debuted in September 2009.[22]In 2012, Lesh founded a music venue called Terrapin Crossroads, in San Rafael, California. The venue officially opened on March 8, 2012, with a first of a run of twelve concerts by Phil Lesh and Friends.[23][24] When not on tour, Lesh’s sons, Grahame and Brian, served as the house band at Terrapin Crossroads.[25] In addition to songs from the Dead catalog, Lesh played material by Mumford & Sons, Zac Brown Band and other contemporary acts with his sons.[26] Terrapin Crossroads closed in November 2021 when their lease on the property expired.[27]Lesh began performing again with Phil Lesh and Friends in 2012. Furthur disbanded in early 2014 and, at age 74, Lesh ceased touring full time. Thereafter he performed regularly at Terrapin Crossroads with various Phil Lesh and Friends lineups as well as with the Terrapin Family Band. In the early 2010s he performed select shows at venues throughout the United States, notably the Capitol Theatre in Port Chester, New York, as well as at festivals.[28]He took part in the 2015 Fare Thee Well concerts, and a short North American tour with Bob Weir in the spring of 2018.[29]In 2020, Rolling Stone ranked him as the 11th greatest bass player.[30]In March 2023, he celebrated his 83rd birthday and hundredth show at the Capitol Theatre.[31]

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