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Epoch:1970s
Artist:Blue Öyster Cult
Type:LP
Release Title:On Your Feet Or On Your Knees
Features:Colored Vinyl,Numbered,Limited Edition
Year Of Publication:1975 / 2024
Speed:33 RPM
Record Size:LP (12 Inch)
Sub Genre:Hard Rock
Material:Vinyl
Language:English
Record Label:Music On Vinyl
Hull Type:Cardboard Tube
Style:Hard Rock
Color:Silver
Format:Album
Country/Region of Manufacture:Netherlands
Disk condition:M ( mint )
Catalog Number:MOVLP3423
Genre:Rock
Outer hull condition:M ( mint )
Number of Audio Channels:Stereo
number of units:1
EAN:8719262028982
Unbranded:Unbranded
lp BLUE ÖYSTER CULTOn Your Feet Or On Your Knees Recorded Live At The Academy of MUSIC , New York,PARAMOUNT Theater, Portland And Seattle, Show Palace,PHOENIX ,LONG BEACH Arena,LONG BEACH , California, PAE Coliseum, Vancouver, Capitol Theatre, New Jersey. Limited edition of 1500 Numbered Copies In SilverMARBLED VINYL Country of release: Netherlands, 2024 Originally released: 1975 Label: Music On Vinyl Catalog number: MOVLP3423 Bar-code: 8719262028982 Folding cover/gatefold sleeve: Yes/ YESIncludes 4 PAGES Insert Condition Record: mint (Unplayed) Condition Cover: mint Tracks Side 1:1. Subhuman (7:30) 2. Harvester of Eyes (4:55) 3. Hot Rails To Hell (5:55) Tracks Side 2:1. The RED & THE BLACK (4:33)2. Seven Screaming Dizbusters (8:27)3. Buck’s Boogie (7:40) Tracks Side 3:1. Then Came The Last Days of May (4:35)2. Cities On Flame (4:08)3. ME 262 (8:47) Tracks Side 4:1. Before The Kiss ( A Redcap) (5:05)2. I Ain’t Got You (8:59)3. Born To Be Wild (6:36) Listen On YouTube:https://www.youtube.com/watch?v=AI5Lxprtxw8&list=PL5D45D4273318C95F Released in 1975, as A sort of ideal conclusionTo their legendary’BLACK andWHITE ‘trilogy,On Your FeetOr On Your Knees is simpleOne ofThe bestLive albums in rock, bar none. It captures The New York band atThe peakof their creativity, before they started exploring more commercial pastures with Agentsof Fortune and allThe albums that followed. A towering achievement of sheer musical power and lyrical subtlety, pervaded with The looming auraof malevolence that ledThebandTo be dubbedThe AmericanBLACK SABBATH (although their musicianship was vastly superior To thatofThe Birmingham quartet), rightFrom its sinister, Gothic coverArtThe album intrigues and holdsThe listener’s attention inA firm grip. BLUE Oyster Cult have always been One ofThe bestLive acts around (ICan vouchFOR that, having seen them in 1986), andTo thisDay – when most ofThe members are in their early sixties – their performances are saidTo be worth every centofThe entrance fee. In The mid-Seventies, at The topof their game, they were an unstoppable force, asOn Your FeetOr On Your Knees shows quite clearly. Crushing yet memorable riffs (move over, Smoke On The Water), slinky keyboard lines, Eric Bloom’s gruff, theatrical vocal tones, galloping rhythms, weird, sci-fi lyrical themes – andA light show that, atTheTime , was considered positively dangerous – BOC had it all, an intoxicating mixof violence and sophistication, just like their hometown. I would hesitate, though, To call them HEAVY metal, as they have all too often been described. With all due respect To The genre, I find very little in common between BOC’sMUSIC and thatof someof their British contemporaries, such asBLACK SABBATH orjudas priest . I would rather compare them To The likesofUriah Heep , or evenThe mightyDEEP PURPLE – hard-edged,YES , but capableof subtlety and elegance. The album features The cream of BOC’sFirst three albums (withTwo glaring omissions, Astronomy and Flaming Telepaths – both among themTheband ‘s finest moments), plusA cracking coverof Steppenwolf’s anthemic Born To Be Wild, which closesThe album in style. Though I have heard A number of coversof this song, in my opinion BOC’sThe best by far – possibly together with fellow New Yorkers Riot’s (On their album Narita). Some of The songs also appearOnTheband ‘s other threeLive albums, especiallyThe energeticThe RED andTheBLACK , CitiesOn Flame with its memorable riff, andThe steamrolling hot railsToHell . Guitar fans could do worse than To check The irrepressible instrumental Buck’s Boogie,A showcaseFORThe criminally underrated six-stringer, Donald Buck Dharma Roeser (aided and abbetted byAllen Lanier’s keyboards), orThe wiseThe Last Days of MayFrom their debut album. However, To these ears The real highpointsofThe albums are alsoThe most progressive – openerThe Subhuman,Oneof Theband ‘s most impenetrable, darker tracks; chilling, spacey harvesterof Eyes; andThe masterpiece that is Seven Screamin’ Dizbusters, unleashed in all its intricate, menacing glory. Now, as in The case of mostof my prog-related reviews, I will haveTo warnThe newcomer thatThe ‘prog quotient’On this album is somewhat lower than,FOR instance, On BOC’s masterful third album, Secret Treaties. By omitting Astronomy and Flaming Telepaths, The band choseTo turnToThe rockier endof their output – although, as I have stated before, ‘rockier’ does not automatically mean simplistic (To be perfectly frank, BOCSound nothing like Kiss). However, The progressive touches are undeniably present, and at any rate this is an album that will appeal To most prog fans – except those who have an aversionTo straight rock. Therefore, although Not An ‘essential masterpiece of progressiveMUSIC ‘, I will give this beautyThe top rating. Join The BLUEOyster Cult! (Raff/progarchives.com) Eric Bloom – Guitar, Synthesizer, Vocals (Track 1, 2, 4, 5, 9, 11, 12) Donald (Buck Dharma) Roeser – Lead Guitar, Vocals (Track 7, 10) Allen Lanier – rhythm guitar, keyboards Joe Bouchard – bass, vocals (track 3) Albert Bouchard – Drums, Guitar, Vocals (Track 8) Insured shipping within Germany (generally within 24 hours) No further shipping costs from the second lp onwards!!ASK FOR COMBINED SHIPPING!! More information or photos? Please askNeed more info or photos? Please ask The album features The cream of BOC’sFirst three albums (withTwo glaring omissions, Astronomy and Flaming Telepaths – both among themTheband ‘s finest moments), plusA cracking coverof Steppenwolf’s anthemic Born To Be Wild, which closesThe album in style. Though I have heard A number of coversof this song, in my opinion BOC’sThe best by far – possibly together with fellow New Yorkers Riot’s (On their album Narita). Some of The songs also appearOnTheband ‘s other threeLive albums, especiallyThe energeticThe RED andTheBLACK , CitiesOn Flame with its memorable riff, andThe steamrolling hot railsToHell . Guitar fans could do worse than To check The irrepressible instrumental Buck’s Boogie,A showcaseFORThe criminally underrated six-stringer, Donald Buck Dharma Roeser (aided and abbetted byA
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